Saturday, 11 May 2013

"Why Is a Raven Like a Writing Desk?"

Lewis Carroll's 'Alice's Adventures in Wonderland'

With the first year of university work out the way, and with a somewhat empty schedule opening up, an opportunity to start something fresh arises...

One of my most loved fictional worlds of all time derives from the wonderful work of Lewis Carroll. Wonderland's literary nonsense provides great enjoyment, and has a charm that arguably not many worlds can accomplish. What also intrigues me about this fictional place are the dark themes of madness and insanity that are present throughout, providing artists and designers with a more sinister exploration through the imaginative world that has almost always been associated with younger audiences. 

Chapter 7: A Mad Tea-Party

Though the novel has many enjoyable scenes, my personal favourite events within the story reside within Chapter 7, where Alice meets the Mad characters of the Doormouse, the March Hare and The Hatter for the first time. Here, Hatter reveals to Alice that both the Hare and himself are stuck in time at 6pm as a punishment from Time himself for escaping his execution from the Queen of hearts. An audiobook of the chapter can be listened to below;



Still with an unsatisfied taste towards the digital set I produced as part of my Secret Lairs submission, I feel the need to produce a digital set that I can gladly stamp my name on using my newly acquired skills from the past year. 

Over the coming months, I would like to develop a darker design to the 'Mad Tea-Party' drawing on the themes of madness and insanity to create a sinister adult-like environment that I can then turn into a 3D digital set. More to come soon!

Friday, 10 May 2013

The Fantastic Voyage

Animation V2.



Maya Checklist

Intro to Autodesk Maya




Lighting & Rendering: Intro to Lighting




Modelling: Digital Sets




Intro into Previzualtion: 



Intro into Character Animation:



Installing & Using Felix Jnr

Walk Cycles Part 1: Mechanics


Intro into Texturing:


Utilities & Shader Networks: Double Sided Shader


Utilities & Shader Networks: X-Ray Shader

Utilities & Shader Networks: Faked Rim Lights

Utilities & Shader Networks: Transparency 

Surface Texturing Part 1: Fur Presets & Attributes

Surface Texturing Part 2: Fur Hat


Intro into Rigging


Biped Rigging Part 1: Legs

Biped Rigging Part 2: Spine

Biped Rigging Part 3: Arms

Biped Rigging Part 4: Head, Neck & Final Grouping

Rigging Techniques 1: Leg Piston

Rigging Techniques 2: Eyes

Rigging Techniques 3: Object Exchange

Rigging Techniques 4: Tails 


Intro into Visual FX 1: Deformers


Deformers Part 1: Non-Linear Deformers

Deformers Part 2: Blendshapes with Inbetweens

Deformers Part 3: Creating Mirrored Blendshapes

Deformers Part 4: Wire Deformers

Deformers Part 5: Sculpt Deformers


Intro into Visual FX 2: Render Layers


Stereo Camera Rigs in Photoshop & After Effects


Render Layers Part 1: Software Rendering 


Render Layers Part 2: Depth of Field


CG Artists Toolkit: Maya

Stereo Camera Rigs In Photoshop & After Effects



Visual Effects: Render Layers 1 - Software Rendering

Photoshop Composite

After Effects Composite


Visual Effects: Render Layers 2 - Depth of Field


Photoshop Composite 

After Effects Composite

Wednesday, 8 May 2013

CG Artists Toolkit: Maya

Visual Effects Deformers: Wire Deformers



Visual Effects Deformers: Sculpt Deformers